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   Dame Joan Sutherland (1926-2010), the renowned Australian dramatic coloratura soprano, left an indelible mark on the world of classical music with her exceptional vocal prowess and dramatic interpretations. Her best recordings showcase the full extent of her extraordinary talent and contribute to her legacy as one of the greatest operatic voices of the 20th century. What stands out most in her voice is her ability to do coloratura. According to the Oxford dictionary, coloratura is elaborate ornamentation of a vocal melody. This style of singing became popular during the Baroque and Classical periods of opera in the 16th to 18th century. It wasn't until the Bel Canto period in the  early 19th century that Bel Canto became the opera genre that put the voice front and center especially the soprano lead. This type of repertoire was where Joan Sutherland's vocal ability made her famous. From high C's to even high F's above the treble staff, Joan Sutherland's voice was pure and full. Not only did I hear this from the recordings, I also found this out from the former Metropolitan Opera Head Archivist, the late, Robert Tuggle (1932-2016). He told me that her voice was "unusually full and loud in the upper register." That is not common for sopranos because usually that part of the voice is light and can be shrill. This diva's upper register was the total opposite and that made it exciting.

Sutherland's iconic performances of bel canto works, particularly those by composers like Donizetti and Bellini, stand out as some of her most celebrated recordings. Her rendition of Donizetti's "Lucia di Lammermoor" is often hailed as a definitive interpretation, characterized by her impeccable vocal technique, dazzling high notes, and a deep emotional resonance that brings the character to life.

Additionally, Sutherland's collaborations with conductor Richard Bonynge, who also happened to be her husband, produced numerous gems in the operatic repertoire. Their interpretations of works by Handel, Rossini, and Mozart are marked by Sutherland's brilliant coloratura, exquisite phrasing, and a vocal agility that remains unparalleled.

Notably, her recordings of the operas of Giuseppe Verdi, such as "La Traviata" and "Il Trovatore," showcase her versatility in handling the dramatic demands of the Italian repertoire. Sutherland's powerful yet nuanced performances in these roles demonstrate a depth of expression that cements her status as a true operatic legend.

Joan Sutherland's best recordings encapsulate the breadth and depth of her extraordinary vocal abilities, offering a timeless testament to her mastery of the operatic art form. Her legacy endures through these recordings, allowing audiences to revel in the beauty and brilliance of one of the greatest sopranos in history. Subsequently, here are my top three favorite recordings featuring the one an only Australian diva.